It was the strangest of benedictions. One of my favorite professors, Henlee Barnett, gave me a curious blessing. At seminary graduation, upon hearing of my first opportunity to be a full-time pastor, he responded: “Oh, you will have fun there!” He didn’t say the expected: “Oh, that will be a good fit for you or a good opportunity or a worthy challenge for you.” No, he spoke of having fun doing pastoral ministry. Frankly, I had never put those two ideas together. The sound of his words echo still. What did he mean, “having fun?”
I’m pondering, now out loud with you, why should that blessing seem so strange then or now? The question unmasks the Puritan streak in me: play is a waste of time; play is what you do when the work is done; every minute playing takes us away from the seriousness of our work. I assume all of us have internalized to some degree our culture’s basic dualism’s: work and play; work and art; work and leisure.
I am not talking about play as recreation or play as time off from work, as in our “day off.” No, I am referring to work as play, to playing around with our work, to having fun in ministry.
You know this experience from time to time. I’ll bet your best preaching comes from “playing around” with ideas. Your imagination runs free. You hold a space for surprising possibilities to surface. You muse about the Muse: “What is the Spirit trying to say in this passage?” Then what flows—yes, with discipline—includes the fun of creativity.
Or, similarly as pastor you find yourself in the midst of some personal or interpersonal crisis. You have no clue what to say and can detect no redemptive end in sight. Yet, you are as present as possible, listening intently, praying silently for some guidance. Occasionally, some insight, some way through, some new possibility emerges and you feel the Creator’s pleasure: “Now, that was good, very good!” It’s the pleasure and playfulness of an artist, a creator. Or, even if there is not resolution or some hoped for outcome, there remains a joy in the creative effort.
From the Industrial Revolution we have inherited a machine-like view of work. Work is made up of units—units of time, units of productivity, units of money. We can feel that pressure in ministry, namely, to produce something measurable, to live by the clock, to number the “family-giving” units in our congregation. Yes, that’s a part of our work. But before we know it, we can feel in our core like another cog in a machine.
Could it be that we are more artists, than mechanics? We have some freedoms that most congregants don’t in their work settings. Considerable freedom in the use of our time comes with our job. We can play with our time with an artist eye—looking for co-creative possibilities, leading imaginatively from the congregation’s past, helping shape loving relationships from the clay of peoples lives. I know, these words feel a bit romantic, maybe unrealistic. Yet, I don’t want to give up the joyful possibility in defining our vocation as being artisans, poets, and mid-wives assisting in new life birthing. But there is a cost in playing around with this identity. There is a price to pay. As with most creative leaders, expect considerable criticism, disapproval, and misunderstanding.
Perhaps this is an issue of spiritual formation. I know that my own seriousness is usually a sign of ego forcing some particular outcome. Missing, at such times, is lightness and non-attachment required in creativity. And conversely, playfulness, humor, laughter, having fun are signs of self-transcendence. You can’t be playful and anxious at the same time. You can’t laugh and be fearful at the same time. You can’t be artful and controlling at the same time.
I must admit. I am drawn to pastors who laugh a lot, especially at their futility in keeping up and accomplishing their goals. They have a knack of two responses: delighting in their efforts to keep up and accomplish goals; and delighting in the larger life/love that transcends their efforts to keep up and accomplish goals. It’s a funny paradox we live.
I wonder, is this even close to what Henlee had in mind?